Designed to provide professional audio over digital networks, the RME 12Mic offers 12 channels of high-quality audio microphone preamps with MADI and ABV connections. You get preamps for mic, line-level, and instrument sources; preamps that can output digitally through a variety of different connections. It does this in a compact 1 RU housing and with the ability to control all of its routing capabilities wirelessly when configured into a wireless network.Each of its 12 pad-free input stages offer a 75 dB range of transparent gain. You'll find four combination XLR-1/4" inputs and eight XLR inp..
The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4", 3.5mm, and TRS connections).Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clo..
The RME Digiface Dante is an audio interface that combines USB 3.0, MADI, and DANTE formats to give you up to 256 channels of digital connectivity. As such, you can route and mix digital audio coming from multiple sources. It does this at low latency and also gives you the TotalMix FX bundle to apply processing to all of your submixes. With various channel configurations, it can operate at sample rates of up to 192 kHz and at resolutions of 24 bits.On the front of the unit, you'll find four RJ45 Ethernet ports for Dante connections. These ports support both 100 Mb/s and 1 Gb/s, and can be used..
The Digiface USB from RME is a portable USB 2.0 audio interface designed to quickly and efficiently transfer 24-bit / 192 kHz digital audio data in ADAT and S/PDIF format to Windows and Mac computers. Lightweight (at 0.49 lb), compact, and bus-powered, it is well suited for mobile recording/mixing applications or remote monitoring solutions.The Digiface USB offers four optical ADAT / S/PDIF I/Os and a high-quality analog line/phone stereo output via a 1/4" TRS jack, for a total of 32 inputs and 34 outputs when using ADAT optical. It also comes with the real-time mixer softw..
The Fireface 802 from RME-Audio is a high-definition, 60-channel audio interface with 4 professional quality preamps and reference class converters. The 802 features 12 analog and 18 digital inputs and outputs, all available simultaneously. Low latency operation and stability stem from RME's own proprietary USB and FireWire hardware and drivers.The SteadyClock jitter suppression technology ensures high quality sound from input to output. Should an external clock source fail, the Intelligent Clock Control (ICC) will retain the last valid input sample rate. All of the Fireface 802's hardware and..
The Fireface UC from RME is a compact USB 2.0 audio and MIDI interface for Mac and Windows computers. It offers the highest number of inputs and outputs (18 x 18) of any compact USB audio interface, and its low latency capabilities out perform the most advanced FireWire 400 interfaces available. It features on-board DSP and deep integration with the included TotalMix software, which gives you massive power for signal routing and an incredibly flexible stand-alone operational mode.RME Hammerfall developed a unique dual transfer core for the Fireface UC that enables it to take USB connectivity t..
The Fireface UCX from RME is a USB/FireWire digital audio interface that provides thirty-six channels of audio (eighteen inputs and outputs) with all channels available simultaneously. It features two, low distortion, digitally controlled microphone preamps with up to 65 dB of gain, excellent signal to noise ratio, and a flat frequency response. Each channel can be individually switched to deliver 48V phantom power.Two front panel TRS inputs can operate as Hi-Z inputs for plugging in up to two guitars or other instruments with no other hardware required. LEDs for signal, clip, and activated ph..
The Fireface UFX II from RME is a flexible USB 2.0 audio interface that provides a total of 60 channels of crystal-clear and transparent audio, at resolutions up to 24-bit/192 kHz. It offers four digitally controlled preamps, reference-class AD/DA converters, ultra-low latency operation combined with exceptional driver stability, and is ideal for recording, mixing, and monitoring applications in high-end home studios and commercial audio production facilities.The Fireface UFX II offers a full range of connectivity options such as analog, AES/EBU, ADAT, and Wordclock I/Os. With support from USB..
The Fireface UFX+ from RME is an audio interface that combines analog, ADAT, MADI, AES, S/PDIF, USB 2, USB 3 and Thunderbolt connectivity, with the ability to handle up to 94 channels of audio I/O with ease. Also included are DURec (Direct USB Recording) and RME's renowned low-latency hardware and driver designs, making the interface especially suitable for situations where large amounts of data need to be moved about. For monitoring, low impedance Hi-Power headphone outputs provide ample power for driving any high- or low-impedance headphones.Comprehensive MADI connectivityIn USB 2 mode, whic..
he MADIface Pro from RME is a USB 2.0 audio interface that features recording up to 24-bit / 192 kHz and offers support for the powerful MADI multichannel audio protocol. It allows for 68 input channels and 68 output channels in total, plus it feature's RME's Hammerfall DSP and & TotalMix FX virtual mixer, allowing for complex routing and delay-free submixes that can be used for headphone mixes, effects groups and more.The MADIface Pro is equipped with a set of optical MADI I/O ports, two XLR microphone inputs, each with high-quality digitally controlled preamps, and two TS line/instrument..
The MADIface USB 128-Channel USB Interface from RME provides MADI I/O via USB 2.0 ports while supporting the format's full 64 channels for recording and playback, on both Mac and Windows.The unit's two inputs can be used for full redundancy operation or used simultaneously for full 128 channel input and output access, mixed and routed by RME's TotalMix software. Without a computer, the MADIface USB provides bi-directional format conversion and can function as an active repeater.FeaturesMADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redunda..
The MADIface XT from RME is a USB 3.0 audio interface that features recording up to 192 kHz and offers support of the powerful MADI multi-channel audio protocol. It allows for 196 input channels and 198 output channels in total, plus it feature's RME's Hammerfall DSP and & TotalMix FX virtual mixer, allowing for complex routing and delay-free submixes that can be used for headphone mixes, effects groups and more.The MADIface XT is equipped with two optical MADI I/O ports and one coaxial MADI I/O port for interfacing with other MADI equipment. In addition, the interface ..